Release

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All that torment has loved has disappeared,
and we remain hopeful.
The significance of her efforts
have not gone unnoticed; indeed,
they have recapitulated old victories
and insights that had been hitherto obscured
by notions unseen and ideations to come.
We rally together for a promise of worlds to be

And fully satiate our desire for sanity
by committing to novel patterns of doing and breathing
deeper and more profound
as if the air we knew all along turned in on itself
and proclaimed that only the decadent shadow
could partake of her beauty.
We do not hope for redemption; it is irrelevant.
We do not participate in the vagaries of mindfulness

As we have already been thrice illumined by chariots
sallying forth in a devil’s mist.
After all, we have connected eons ago by the
hands of molecular consistencies and arrangements,
morphed into ornaments of a quiet and intricate despair,
became ripe for contemplation and eventual division,
and ennobled by a distinction not quite unlike
that we have seen in the old woman by the sea,

Who recalls those she instilled with benedictions and protections,

those who knew nothing of the imminent greying of the cloud,
or the sable rainfall in late winter,
or the cellular dance taking place in her furrowed hand.
We knew she didn’t exist as a fullness or even a drop of contingency,
but Fate would make it clear that this handmaiden of the gods
had no choice but to enjoin the waves to cease,
the moon to readjust and the whispers to become

Psalms of renewal and purpose.
Perhaps when I awaken from my slumber,
I shall call upon the disenchantment of the lost,
and be reunited with my passion for the nuance of colored thoughts
in a colorless world. I will know breath anew,
and each movement toward being will ripen
throughout successive periods of clarity and understanding.
It is then that I will become ingrained in myself, and project in infinite directions.

Art: “Phoenix (Peace Eagle)”
Matthew Day Jackson

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